What influenced me with Three 6 and Hypnotize Minds was that Paul and Juicy J made the beats, so it was a straight original sound. Three 6 was doing that turn-up, hype music. I got that idea and vibe from Scarface, and when I talk about women, I got those ideas from Too Short. That’s why my music goes towards storytelling. Project Pat: Me personally, I always was a Scarface and Too Short fan. Between me being in love with horror movies and having an organ, which is a creepy instrument anyway, that all just went hand-in-hand and made it happen. He would put me in organ lessons, and he bought me an organ that I still have-a $5,000 organ he bought for me back in 1985 when I was a kid. And I was like, “Dad, I don’t think that’s going to happen.” But I would try. ĭJP: My daddy always used to tell me that I was going to be the next Michael Jackson. After that, I went to the regular mixtapes on TDK tapes.
Project pat ooh nuthin instrumental serial#
The group was called the Serial Killaz, and the name of the tape was Portrait of a Serial Killa. The conversations, which happened separately, have been combined here.ĭJ Paul: We came out the door with an EP-artwork, cover pressed up, shrink wrapped, and everything. To get to the bottom of how a crew that began in the early 1990s (and that already had one previous career revival in the mid-aughts) became instrumental to so many of today’s most popular songs, we spoke to Three 6 co-founder DJ Paul and longtime affiliate Project Pat. Cole’s “No Role Modelz” to Cardi B’s “Bickenhead” to ASAP Rocky’s “Gunz N Butter,” songs by Three 6, Project Pat, and other artists from the influential Memphis crew are the backbone of some of the biggest hits of the past few years. From Rae Sremmurd on “Powerglide” to ASAP Ferg on “Plain Jane” to G-Eazy’s “No Limit” to J. In the uncertain world of the music business, there seems to be one surefire way to make a hit song: sample or interpolate something from the Three 6 Mafia family.
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